Tag Archives: postcard

Arabian Ornament – Day 21 of 30 in 30

Arabian Postcard. 4 x 6 watercolor on 140 lb. cold press paper. ©2014 Sheila Delgado

Arabian Postcard. 4 x 6 watercolor on 140 lb. cold press paper. ©2014 Sheila Delgado

Many Arabian motifs include ornate leaves, vines and scroll work. Compared with Greek or Moresque ornaments, it is easy to see they have been simplified. Details have been trimmed to the barest essentials. This makes them no less intoxicating.

There are two images in the plates on Arabian Ornament in The Grammar of Ornament that have sea green in them. They caught my eye right off the bat. They were taken from pavements and walls in private houses and Mosques in Cairo. These designs were created with marble in white and black, and red tiles. There is no mention of the green material, so maybe it is just an interpretation.

The majority of these decorative designs are created from basic shapes. Circle, square, triangle, star.   Familiar shapes make these designs, more accessible.

Arabian No. 5Arabian No. 5, The Grammar of Ornament

Arabian No. 5, The Grammar of Ornament

Does anyone remember those puzzle games with wood pieces in different colors and shapes? You could mix and match, the options were endless. A circle with a triangle on top could be a man in a hat. A square with a triangle became a house. I think infinite possibilities also intrigued early Arabian culture.

Pear. Watercolor on YUPO.

Pear. Watercolor on YUPO.

What is intriguing me today, are the artistic possibilities in a pad of YUPO watercolor paper. I only had a few minutes to “play” this evening. Not nearly enough time for fun. Here is a silly little pear I did. It is only about an inch tall.

Hope your week is off to a great start. Remember to start the day with thanks for the good things in your life. Gratitude is gracious!

Savage Tribes – Day 20 of 30 In 30

Primitive postcard. 4 x 6 watercolor and pen on 140 lb. cold press paper. © 2014 Sheila Delgado

Primitive postcard. 4 x 6 watercolor and pen on 140 lb. cold press paper. © 2014 Sheila Delgado

“Man’s earliest ambition is to create. Man appears everywhere impressed with the beauties of nature which surround him, and seeks to imitate to the extent of his power the works of the creator.” These two statements start off Chapter 1, Ornament of Savage Tribes in The Grammar Of Ornament by Owen Jones.

Hands in the air if you agree.

OK, you can put them down now.

Owen Jones might not have fully appreciated the ornamentation he found in each culture, but he did understand the shared need for expression.

I may not agree with all of his suppositions, but I am so thankful that he felt the need to produce this collection of design elements. What a fun (and work!) it must have been, to visit each locale, collect the specimens, and then produce each sample. I mean really, I would have volunteered in a heartbeat!

The Grammar of Ornament, Owen Jones

The Grammar of Ornament, Owen Jones

Each postcard I have created feels so incomplete to me. There is just no way to capture the essence of a culture in a 4 x 6 inch area. I want to include them all. I had some fun with this design in Photoshop. Just by changing the Hue/Saturation setting, I came up with several different versions.

What do you think?

What hue are you?

What hue are you?

Looking at this now, I think I need to go back in and add some color in the “woven” section. I didn’t get that quite right.

 

 

Owen Jones and The Ornament of the Savage Tribes

Happy Martin Luther King Jr. Day!

 

Moresque Ornament – Day 19 of 30 in 30

Moresque Postcard. 4 x 6. Watercolor and pen on 140 lb. cold press paper. © 2014 Sheila Delgado

Moresque Postcard. 4 x 6. Watercolor and pen on 140 lb. cold press paper. © 2014 Sheila Delgado

Owen Jones considered the Alhambra unsurpassed perfection. His chapter on Moresque ornament in The Grammar of Ornament shows designs from only this location. He devoted more attention to this one building than he did to many of the entire civilizations he addressed in the book.

The Moors followed a strict set of principles in their constructions. This same was true of their use of color. The laws of nature were observed, and color was used to further define architectural features. Literal depictions of living forms were forbidden by their faith. They focused on geometric patterns. Written inscriptions were ever-present as a reminder that no matter how inspiring the building created, “there is no conqueror but God.”

I love the warm, earthy tones of the plates in the book. I added a bit of the coast to my palette. I started this design in Photoshop, creating the pieces as I would for a fabric repeat.

Pattern pieces

Pattern pieces

My awe for complicated repeating patterns remains intact. I spent more time trying to duplicate this pattern, than I did painting it. And this is simplified from what appears in the book. Once I had the pattern set, I transferred that to the card, and applied color.

This painting lacks perfection, but it is pretty.

I was hoping to get ahead on the challenge today. I should have known better than to take on a mathematical design and think it would be quick. Oh well, I still had fun!