Tag Archives: #dailypainting

#WorldWatercolorMonth #22 And #23

 

#22 WWM. 4 x 5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

#22 WWM. 4 x 5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

Starting to have mixed feelings about the paper in this journal. I tried to add more color to the bottom right corner of #22. I didn’t realize the first layer was not dry, and when I went in with more, the paper started to pill, as if I had scrubbed it. It’s hard to see in the corner, but you can see the effect in the shadow under the vase. The color is separating.

 

#23 WWM. 4 x 5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

#23 WWM. 4 x 5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

Scrubbed clean and ready.

After 100 days, it was time for a good scrub and clean. I scrubbed my brush washer cups, scrubbed the box that holds them. Cleaned the table top. The rinse cups are plastic, and stain easily. I clean them often with soap and water to get rid of the slimy film on the inside. I scrub them less often. I soaked them in bleach, and then scrubbed with Bon Ami.

 

 

Scrub -a-dub-dub, bub.

I also emptied and cleaned my Sketcher’s Palette box (Winsor & Newton Cotman). I wanted to switch out some of the colors I rarely use. I was painting with scraps on the bottom, of about half the colors. I had dabs of my most used colors on mixing palettes, instead of refilling the half pans.

I washed out the pans first. I had to let the box dry, before I was able to pull them out. The spilled paint acts as a glue. The lid comes off easily. Paint gets in where the lid and bottom overlap.

This set includes: Alizarin Crimson, Cadmium Red Pale, Burnt Sienna, Burnt Umber, Yellow Ochre, Cadmium Yellow Hue, Cadmium Yellow Pale Hue, Cobalt Blue Hue, Ultramarine, Sap Green, Viridian Hue, and Chinese White.

I eliminated Viridian, White, Cad. Red Pale, and Cobalt. I do use White, and Cobalt. When I need those, I can dab a little on a mixing palette. The Cobalt and Ultramarine are so similar, I think one in the set is enough.

Revamped Palette Box.

The palette colors are now: Burnt Sienna, Cad. Yellow, Naples Yellow, Indigo, Ultramarine, Burnt Umber, Sap Green, Cad. Orange, Alizarin Crimson, Bordeaux, and Cerulean. I have mixed Winsor Newton Cotman, Winsor Newton Professional, Grumbacher and Daniel Smith paints. This list is in no way complete and is not balanced with warm and cool shades of each hue.

 

 

I know I need a larger palette. I just haven’t decided which style, or how many pans. So many choices! I am doing a lot of research, and waiting for a sale. Ha ha ha.

 

 

 

 

 

 

 

 

#WorldWatercolorMonth Continues

 

#17 WWM Rev.. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

#17 WWM Rev., 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

#18 WWM. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

#18 WWM. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

#19 WWM. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

#19 WWM. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

#20 WWM. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

#20 WWM. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

#21 WWM. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

#21 WWM. 4 x 5.5 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

I have kept up with the #WorldWatercolorMonth daily painting. I’m just behind on posting. I’ve gone to painting two pieces on one 5.5 x 8 sheet of paper. I will still be two short, and for those I will use the backside of earlier days.

Only ten days left now. Whoosh!

 

 

 

 

 

100 Days Of Mingus In Review

 

Couldn’t have done it without you! Thank you for your encouragement and support! I am grateful for your suggestions and critiques. Your friendship is a blessing!

I went through the paintings, and found my favorites for each month. A full third of the total made the list. I condensed that list even more, for my top favorites.

I am also sharing the paintings that had the most views. Not a complete list, and I am not sure it is a true representation of viewer favorites. The majority of my Mingus posts, included more than one painting. That makes a true count difficult. I would love to hear your favorites, if there are any that stand out to you. Sea Dean has posted her six favorites on her 100 Days Of Mingus Pinterest board.

I have procrastinated, putting off writing this post. I keep starting projects that have waited while I was painting Mingus. I am not sure what to write, or, if I have anything interesting to say about the project.

Dave asked if I have noticed any changes in my practice as a result of painting daily. My reply was that I am less precious about each piece. I told him that I would talk about it more in this post. But I really don’t have much more to say. This project was a success in that I finished. I kept up. Didn’t give up. But my habit of setting high standards for myself, has me… feeling like I missed the mark. I was looking forward to more experimentation. Creating pieces with more depth and complexity.

I feel like I should have more to say. Maybe it is my “style”. Maybe there is “a style”. But I feel like I just did the same thing over and over (laughing). I wasn’t able to work in different mediums or try as many new techniques as I would have liked. And this is just me, grading myself. My progress. I know it was due to circumstances out of my control. So I am cutting myself some slack. And I did enjoy the process. I am still painting daily.

When I looked at the paintings again, there were a few that jumped out at me as incomplete. Less than half of the 100. And I know I mentioned that a few times as I went along. I am planning on adding to some of them. But that will have to wait until next month.

Some of you have also asked if they are for sale. If you are interested, you can let me know in a comment or through a private message on Facebook. The large, 5.5 x 11.5, are $120. Smaller pieces start at $17 for ATC’s and range from $38 for 3.5 x 5.5 to $70 for 5 x 7.  For U.S. buyers, shipping is free until the end of July.

 

My Favorites

 

Most Views

 

 

April

 

 

May

 

 

June

 

 

July

 

 

 

100 Mingus paintings, SMD 2018

100 Mingus paintings, SMD 2018

100 Mingus paintings stacked, SMD 2018

100 Mingus paintings stacked, SMD 2018

 

There was only one painting that I walked away from. Only one lying around. If I mentioned in a post about trashing a ruined painting, you can catch me in a fib. This is from the first week. I honestly can’t remember what I was thinking. Go for it, have a good laugh! Ha ha ha! The sky is watercolor, and I like how it turned out. The hills are acrylic, and there is pen as well. I used a rubber comb while the red paint was wet. I was going to layer more on this. Add texture.

 

Mingus goof. 11.5 x 5.5 in. Mixed media on Arches 140 lb. cold pressed paper. © 2018 Sheila Delgado.

Mingus goof. 11.5 x 5.5 in. Mixed media on Arches 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

The sky is Windsor Newton, not Inktense. So I would have to seal it to continue. Inktense is permanent once dry. (I don’t have a good sky blue in Inktense.) The sky is what stopped me in my tracks. I won’t take this any further, like I said, the original idea is gone.

I still need to flatten the paintings. I will share that process with you soon.

 

“No man is a failure who has friends.” 
 It’s a Wonderful Life

 

“I walk every day, and I look at the mountains
and the fields and the small city, and I say:
‘Oh my God, what a blessing.’
Then you realise it’s important to put it in a context
beyond this woman, this man,
this city, this country, this universe.”
Paulo Coelho

 

#100DaysOfMingus  Gallery

Mountains Gallery

A Year In The Life Of Mingus

Inspired By Mountains