Category Archives: Mineral paper

Starting To Look Like Me

 

 

Sunflower. 4 x 4 Alcohol Ink on Mineral paper. © 2016 Sheila Delgado

Sunflower. 4 x 4 Alcohol Ink on Mineral paper. © 2016 Sheila Delgado

I know what you are thinking. Sheila! Paint something different!

Still here is another flower.

In an effort to gain familiarity with Alcohol Inks, I gave myself one less thing to worry about. Trying new subject matter. My first attempt turned out to have too many harsh edges. Notice the red below.

Sunflower, before. 4 x 4 Alcohol Ink on Mineral paper. © 2016 Sheila Delgado

Sunflower, before. 4 x 4 Alcohol Ink on Mineral paper. © 2016 Sheila Delgado

I went back in with the yellow to soften the red. I don’t feel entirely successful. Not what I had in mind. But it did soften those lines. Maybe if I went back in with the caramel color, the mix of red and that… hmm. Thinking, thinking.

By the way, I am still learning the Brand color names, so bear with me. I don’t have them sitting in front of me now. The “red” is actually Pinata Senorita Magenta. Which I have decided I don’t like on its own, but mixed it has promise. (It is too neon pink for me.) Pinata colors are highly saturated, intense pigments.

I finally figured out how I should set my work space up for the inks. Sandy showed us how she works. But for some reason, my fear of making a permanent mess kept me from, spreading out.

 

AI-setup

 

Working like I do with watercolor. Two containers for cleaning the brush (usually use three). These are filled with alcohol. Two paper towels for the double dip cleaning. (Dip in dirty alcohol, clean on dirty towel, repeat with clean alcohol and towel). An extra sheet of paper to use as a palette, and another to use as a mask.  I used a stylus to apply clean alcohol in the flower head for controlled spots, as well as splattering ink.

I feel more in control working with a brush. Rather than pouring straight from the bottle. But a brush requires MAJOR cleaning after each color. That makes me feel like I am wasting a lot of product. I think maybe if i use a different brush for each color, I can avoid the waste. (Thank goodness for cheap brush packs!) A limited palette and one thorough cleaning at the end of a session might work. Thinking, thinking.

And yes, Sandy, this is exactly how you showed us to set up! Teacher knows best! And yes, I trust you. It’s my clumsiness I did not trust.

 

I was leery about scanning the inks. Would they stick to my scanner? I waited until I thought this was dry, and I even pressed a clean paper over it to check, and pull off any wet ink. Still, it stuck. And I am not too keen on having to clean my scanner after every ink scan. The final image above was scanned, and the before was a camera shot (phone). Maybe if I scan with the lid raised a bit, it won’t be a problem.

 

All men are like grass, and all their glory is like the flowers of the field;
the grass withers and the flowers fall,
but the word of the Lord stands forever.
1Peter 1:24-25

 

 

 

 

Ink Implementations

 

 

Floral Study 1. 4 x 4 Alcohol Ink on Mineral paper. 2016 Sheila Delgado

Floral Study 1. 4 x 4 Alcohol Ink on Mineral paper. 2016 Sheila Delgado

Going through the lessons in Sandy Sandy‘s FUNdamentals of Alcohol Ink E-course. Still don’t have a decent hummingbird. Lesson worth repeating. Decided to try working the inks like I do watercolors. Hoping that familiar techniques will make the new medium feel familiar as well.

I thought these were a hot mess, but looking again this morning I see some redeeming areas. I can still go back in and rework each of these. That will be a lesson in itself.

I have a limited palette, but the background below is a mix from cleaning my brush. More lesson learning. In both pieces, the majority of the color was applied straight from the bottle. I moved the paint with a brush in the dark blue above, and the backgrounds. There is brush work in the center below as well.

Floral Study 2. 4 x 4 Alcohol Ink on Mineral paper. 2016 Sheila Delgado

Floral Study 2. 4 x 4 Alcohol Ink on Mineral paper. 2016 Sheila Delgado

 

I’m an introvert… I love being by myself,
love being outdoors, love taking a long walk with my dogs
and looking at the trees, flowers, the sky.
Audrey Hepburn

 

Happy creating to you!

 

 

 

L.Y.A. Postcard #4

 

L.Y.A. 2016 #4, "Beth" Digital sketch by Michelle Swetnam.

L.Y.A. 2016 #4, “Beth” Digital sketch by Michelle Swetnam.

Yikes, #4 already! Only two more too go. So thankful that I have more side swaps to look forward to as well. This magical card came to me from Alexandria, VA. Which is just outside Washington, D.C..

Michelle Swetnam is a writer as well as an artist, and the back of her card is proof of it. Fourteen lines of tidy penmanship! I can only ever fit four or five in my messy writing. Michelle tells me that she finds drawing on her tablet frustrating. But from where I am sitting, it looks like she has mastered it. Beth has plenty of personality.

Michelle writes Zines on many topics including positivity (love that word) and creativity. She even trades them, and you can contact her if you would like to be part of one of her future projects. Which I am going to do. Sounds fun!

If you send her something beautiful, like a postcard, she will post it on her site and send you something back. How fun is that! You can find Michelle on Instagram and Etsy. I have so got to get on Instagram.

Michelle’s honesty motivated me to take pen to paper and do a quick sketch simply because I have not sketched in a while. I need to add to my faces, that told myself I would try to do more often. Months ago. I am laughing at the cowboy hat. A cross between The Flying Nun and Fire hat I think. It is better than the watercolor I tried today. So I am happy with it!

Thanks Michelle for the inspiration! I love pondering Beth!

 

Cowboy, 3 x 3 pen on Mineral paper, © 2016 Sheila Delgado

Cowboy, 3 x 3 pen on Mineral paper, © 2016 Sheila Delgado

 

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