Category Archives: Painting Challenge

One, Two, Three

 

#1 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

#1 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

 

#2 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

#2 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

 

#3 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

#3 of 30. 3 x 3 in. mixed media on canvas. © 2018 Sheila Delgado.

 

This botched bunny was the first number one.

Botched Bunny, 4 x 6 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

Botched Bunny, 4 x 6 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

It’s possible I can save this.  I used granulating medium on the background and planned on adding more layers there. The foreground area was very pretty before it dried. The colors faded more than usual. When these areas bombed I did not go back to finish the rabbit. I can see a second attempt in my head, ideas are percolating.

 

 

 

 

 

 

#WorldWatercolorMonth – #10And #The100DayProject – #99

 

Mingus #99. 11.5 x 5.5 in. watercolor on Arches 140 lb. cold pressed paper. © 2018 Sheila Delgado.

Mingus #99. 11.5 x 5.5 in. watercolor on Arches 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

Ninety-nine bottles of beer on the wall, ninety-nine bottles of beer. That has been in my head all week. I don’t even like beer. Today is the day. Day #100. This afternoon will find me working on Mingus number one hundred.

Today’s sky was a wreck. I managed to save it. There was a cloud on the right. A stripe really. I had gone in and removed paint with a clean brush. It didn’t work.

I let the paint dry. Not completely, but almost. I re-wet the ugly area, and put paint back in, and worked it back and forth until there was a more even wash there. If you look just right of center, you can see a hint of white left. Along the right edge, some of the paint stained, but luckily, it gives the effect of distant clouds forming.

I didn’t mean to leave white along the bottom edge. I wet the paper before I added paint to that hill. I don’t think that works on a landscape this size. It is more dramatic on a portrait orientation. I AM happy though, with how the paint edge uneven. I know I brushed water on in a straight line, and that would not have worked at all.

There is some nice granulation going on. Along the dark edges of the drips, and in the dark along the bottom. I did not use the granulating medium, so that was a nice surprise. It is subtle, but the texture adds interest.

 

#10 WWM. 5.5 x 8 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

#10 WWM. 5.5 x 8 in. watercolor on Strathmore 140 lb. cold pressed paper. © 2018 Sheila Delgado.

 

I watched a short video today, where the artist haphazardly added paint to his sky, leaving white areas for clouds. I often do that, but I plan the direction a little more. He made a lot of vertical stokes, and I use more horizontals. Well, on #10 I tried it his way. Not completely happy with it. I lost most of the hard edges, trying to make sense out of the negative, white, shapes.

I have also had a hard time getting the yellow to scan correctly. In the coneflowers, and in #9, it looks much lighter than it does in person. I warmed these (above) up by adding some Quin gold. Then some yellow ochre. I did not want to add orange, so I added a bit of magenta. Well, too many colors going on, they turned out a bit muddy. So  lesson learned. Again. Ha ha ha ha.

Overall, happy with both. Happy with the practice. Happy with the chance to learn.

 

#100DaysOfMingus  Gallery

A Year In The Life Of Mingus

#WorldWatercolorMonth

 

 

 

 

 

February 2018 Painting Challenge Review

 

 

I don’t know what it was about this challenge. But it seemed to fly by. Maybe it was having a month to recuperate from the holidays. Or the shorter month that made the 30 days not feel like 30. Or because this is my tenth challenge. All I know is, I felt less stressed and pressured than in past events. And yes, I know that the stress and pressure came from me, myself, and I.

I had a good first day, but got off to a mixed start. I felt I was posting a lot of “redo’s” or unfinished pieces. But even with that, I just felt they needed more work. I wasn’t in a serious fret mode. By midpoint I think I caught my stride.

Below you can see my favorites from the month, and viewer favorites. Of all the paintings, there are only five that I do not like. One of those made it on the viewer list (Mingus). Go figure.

I had some bad news this month, and there are major changes going on. Please know, each of you, your visits, and our conversations – have been very important to me. Thank you!

I will be adding these to my (nonexistent) Etsy shop. Most are still available, minus the giveaways. Prices range from $30 – $100. If you are interested, let me know in a comment, and leave your email address (I won’t publish that part).

 

 

 

Cheers to Leslie Saeta for bringing us together
for another Successful 30 In 30!
Cheers to the artists worldwide who took part!

 

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Thanks again to all of you who followed my progress this month.
I am truly thankful for your friendship and support!

 

Treat yourself to a look at the artist collages
on 
Leslie Seata’s 30 Paintings in 30 Days blog!